Musa paradisiaca belongs indeed to the dimension of language manifesting itself in this dialectical and mutual tension between discourse and artwork and vice-versa. This means that Musa paradisiaca performs a sort of extended theater in the time and space line. A theatre as a stage to play the possibility or, if you prefer proceeding by paradox, to test the impossibility: the impossibility of being together, the impossibility of a real communication, the impossibility of really hearing each other, the impossibility of being neutral, the impossibility, eventually, to formalize the work.

Claudio Zecchi